Knittage simply lit

When Inny needed some snazzy new shots of her knitted wares recently, for use on her blog and online shop, we used the absolute bare-basics approach of 'one camera, one lens, one light'. The location/studio arrangement was also just about as simple as you can get - a living room coffee table table.

What you see in the picture here is the lighting set-up... A single SB-800 with Pocket Wizard (for wireless connection to the camera); attached to the front is a diffuser panel (for nice, soft, even light). A Magic Arm was used to support the rig just off to camera right, positionable back and forth, left to right, as required.

The camera, incidentally, was hand-held.

You'll notice daylight striking the 'set' from the front - this was taken out of the equation not by closing the curtains, but my letting the flash be the sole light source (and adjusting settings accordingly). Flash light is perfect for close-up detail work, as it is very clean and crisp.

As many of you know, I don't believe in relying on post-production in order to 'save' poor technique - clearly, it makes far more sense to get things looking the way you want them at the time of capture. Case in point - the image you see up top is essentially unaltered.

The most Photoshop work that was applied here was to the image which ended up as Inny's banner - a simple case of choosing the crop and superimposing her logo, to end up with this:


Photo shoots are expensive, time consuming, stressful affairs, right? Nope. This little lot took all of about 10 minutes from setting up to taking everything apart, including time to arrange the object (a Spring Greens scarf, no less!), discuss framing options and, of course, sip a nice cuppa.

Findings for a Friday - #0001

As my online activities grow and diversify - specifically through the use of Twitter and Facebook - it's very clear that a great deal of the information I come across is/would be of benefit to a lot of my followers and those who keep track of what I have to say.

This past week has got me thinking. What use are all these wonderful links to books, podcasts, web pages, assorted resources... if I don't share them?

Here's my plan.

Every Friday, I will be writing a post on the GBP Blog, containing a list of all the useful, intriguing, thought-provoking and fascinating content which I have shared - and which has been shared with me - over the past week.

It won't all be about photography, but a mix of topics including the arts, media, technology, marketing... really, anything that will inspire and inform!


So, to kick things off, here are your Findings for a Friday #0001:


Article: 6 Things Photographers Like To Argue About

Article: 12 Excuses For Sooting Photographs For Free - And Why They're Bogus

Article: Officers Claim They Don't Need Law To Stop Photographer Taking Pictures

Article: Mine Is A Wi-Fi World (GBP:Blog)

Article: 505 Marketing Ideas

Article: Mindful Earning - 3 Rules To Set Prices With A Conscience

Article: Free Weekly Tips To Help You Grow And Enhance Your Photography Business

Article: Bugatti Veyron 16.4 Super Sport

Article: Has Demand For Microstock Photography Peaked?

Article: Proof That Social Media Can Work For Your Photography Business

Article: A Few Things That You Shouldn't Say On Twitter

Article: What Do We Really Mean By Art?

Article: Scanning Around With Gene: Those Darn Cats

Blog: The Photographic World Of Drew Gardner

Book: Purple Cow - Transform Your Business By Being Remarkable

Book: The Linked Photographers' Guide To Online Marketing And Social Media

Comic Strip: What The Duck

Discussion: Is It The Camera Or The Photographer? (GBP:Discuss)

Discussion: What Makes A Photograph Great?

Podcast: BlogcastFM - A podcast by bloggers, for bloggers

Prodct/review: Tweetymail

Product/supplier: GoPro Wearable Digital Cameras

Video: In Praise Of Pea Soup - Shooting In Fog

Workshops: 1-to-1 & Group Tuition with GBP:Workshop


For more of the same, you might like to also check out my bookmarks over on Delicious.

Found object: Video - light painting

If you've ever tried painting with light - combining long exposures with the use of a hand-held light source to etch shapes/words/colours into the air - you'll know what great fun it is.

Typically, you might trace around people or objects, using a torch or a flash gun - and the technique relies on the principle that during a long exposure (anything from a couple of seconds through to several hours), a moving object (the light) will record as a blur whilst static objects remain, well, static.

Commonly, we see this in 'light trail' pictures of cars travelling along a road at night.

I came across this short video recently, which is perhaps one of the best examples I've seen of how you can take things one step further.

Enjoy!





And if you want to know how they did it, take a look at this behind-the-scenes video as well:





This has given me some great inspiration for a forthcoming shoot - I hope you get something out of it, too!

Introducing: GBP:Workshop

Finally, the official announcement!

As many of you may know, I've been quietly working away behind the scenes, putting together a brand new series of workshops aimed at anyone who is keen to learn, explore and improve upon their interest in photography.

The premise is simple: Beginners' guides assume too much knowledge, which means people reading them often end up none-the-wiser. They don't want to be bombarded by photo-jargon - they just want to know what they should be doing in order to improve their image making. Is that really so much to ask?

With this in mind, I've developed the all-new GBP:Workshop - a series of one-off, 4-hour sessions, centred around a simplified hands-on approach to learning the basics of photography.


GBP:Workshop isn't:

• Jargon-filled, alienating, uncomfortable
• Pre-learned knowhow required
• Vanity lecture disguised as a workshop
• Uneasy silences in an echoey room
• 'Keep up or catch up!' mentality
• Desk-based series of how-to instructions

GBP:Workshop is:

• Fun, small, group-led participation
• Run by a professional photographer
• Tailored to you; bring your own camera
• The basics, to get you up and running
• Practical skills which actually matter
• Step-by-step, topic-by-topic, learn-as-you-go
• 'Snap and see' hands-on tasks
• Legible workshop notes and reference material
• Project ideas for continued learning
• Online support
  

I've never been a fan of the way so many seminars and workshops are based around the mentality of 'take the money, teach and run'. For this reason GBP: Workshop offers on-going support in the form of online discussion; after the workshop, you and your fellow attendees simply upload your pictures to a designated private online album and there we can talk over your progress and any ongoing questions you might have.

Of course, there's no pressure on you to do this, but I'm sure it'll be of benefit - and besides which, it's a great way to network with fellow enthusiasts!

To get the ball rolling, the first workshop I'm running is SLR Startup - which covers the basics of how to master the key functions of your digital SLR camera in order to consistently get the striking results you want.

Details of this workshop, location and prices can be found here.

If you have any questions, please drop me an email or post them in the comments section below (this would really benefit all those interested!).

Alternatively, you can always catch up with me on Facebook or Twitter (hint: you can search my related tweets using #gbpworkshop).


Edit: Here's some feedback from someone who recently had some 1-to-1 tuition with me:

"I hired Giles for a morning's practical photography refresher course to improve my skills and get to grips with a new digital SLR. Giles explained everything in a non-techie way which has really helped me to get the most out of my new camera and take much better images as a result. I would recommend Giles to anyone looking for a photography workshop or one to one training session."

New GBP website

Things have been a little quiet around these parts recently. Have you noticed? There is good reason for this, however...

It is with great excitement and relief that I can now officially make today's first big announcement... My brand new website is now live!

Want to check it out straight away? Be my guest.

This has been a long time coming, not least of all because I have had other work, projects and commitments to attend to, but at long last I once again have a site which I am proud to direct people to (not like the previous incarnation, which I voiced my thoughts about here). Even judging by the screen grab I attached in that post, I hope you'll agree that my latest site is a vast improvement!

So, what's new? Well, the first thing you will notice is the background colour - I've done away with black (eek!) and gone for a nice, clean white appearance. This in itself fits much more with the tone of my approach to things these days, and ties in nicely with my Facebook, Twitter and YouTube pages.

But by far and away the largest change has been the overall content - and, specifically, how to access it. The previous site was so complicated, with far too many links and far too many hidden pages which required multiple click-through navigation. Now, I have stripped it down to the bare essentials - a simple 6-link menu bar affair, based around a portfolio system. Much gentler on the eye and an absolute minimum amount of text for visitors to read!

You may remember that I previously included a link to my newsletter archive. Well, that still exists, but is instead accessed by a link on the Contact page, which directs you to a simplified list of all previous newsletters - with the most recent edition at the very top.

The Contact page itself is exactly that, detailing all the ways you can get in touch with me.

The Blog page? Well... clicking on that menu link brings you right to the front page of this here blog!

A new addition this time around is the Bio page - just a few lines of background info and a mug shot of yours truly.

But what about pictures? Obviously, this is the main area I addressed; it was well documented that I had far too much text versus imagery on the old site, so the balance has shifted dramatically, to put it right back where it should be.

The first thing you notice, landing on the Home page, is a slideshow of pictures, nice and big, plain and simple. The Portfolio page now houses six images, which act as links through to individual galleries for the following areas: PR/Advertising, Location, Lifestyle/Outdoor, Event, Wedding and People. Each of these open up to show a slideshow (featuring full-screen HD view, if that tickles your fancy) and thumbnail guide to all pictures in the collection.

And that's it.

Well, apart from the simplified Client Area, which remains essentially the same in its purpose - to supply my lovely clients with their pictures in the hours and days which following a shoot.

I'd like to know what you think (surprised? Come on, you know me well enough by now!). Feedback so far has been really positive (thanks to everyone who has chipped in already) - but I am still encouraging more people to stand up and drop me their thoughts either in an email or in the comments section below this post.

Right, now to prepare for today's second big announcement!

Make the most of your pictures!

A recent shoot got me thinking about how people don't always make full use of the photographs which they commission. Thankfully, those involved on this particular occasion will.

So, I was asked to attend the relaunch party of a local beauty salon, capturing a series of images depicting the proceedings over the course of a few hours. Getting on site early allowed me to catch up with my client (she contacted me via LinkedIn, having remembered me from a networking group we both attended 4 years ago), and get a good idea of the location and lighting considerations.

Before guests started to arrive, I made it my priority to capture a set of nice, clean images showing the atmospheric, newly-decorated rooms, including detail shots. The rest of my time was then spent capturing a mix of posed and un-posed pictures of everyone chatting, networking and generally enjoying the free champagne.

Perfect PR material.

In the first instance, my images hit an advertorial feature in the local press (see photo above). Ffollowing that, they will be used in both printed and online media well into the future.

-

The great thing about photographs - especially the digital variety - is that they are very flexible when it comes to how you can use them. Sounds kind of obvious, right? Well, not necessarily.

Ahead of any shoot, I always have a meeting and/or series of emails and phone calls with my clients, in which we discuss not just the sort of imagery they are wanting, but the ways in which those pictures are ultimately going to be used.

Quite often, thoughts turn simply to the immediate output (profile pictures on a company's website, for example), and regularly the possibilities just... stop. At least in the client's mind. But why should they?

You need to think laterally, people, and consider what other opportunities are out there for spreading your message!

Let's be frank - you're prepared to pay out 'X' amount for my services, so why wouldn't you make the most of our time together? This isn't exploitation, it's value for money. Bang for your buck... call it what you will.

Never be afraid to ask about the potential for using photographs throughout all your marketing activities - there's no such thing as a stupid question.

The point is, I want my clients to make the most of the photographs I shoot for them. That's why I like working with forward-thinking companies, especially if they have their own in-house or out-sourced marketing department.

It's only be being open to the possibilities that you will ever get the most out of this wonderful, powerful communication device we call photography.

Fountain Jam - revealed

Spoiler alert - this post has nothing whatsoever to do with jam... Although I am rather fond of the stuff!

Back in December, as part of my yearly 'Looking Ahead To...' post, one of my bullet points stated "Personal projects - research and develop further; possible exhibition?"

Well, regular readers will know that I am already involved with the Vobes-Babbidge Pinhole Camera Project. This has taken something of a back seat of late, due to health issues on the part of Mr. V, but with things on the mend, we are due to get together for the latest instalment soon.

In the meantime, I have another (self-driven) project under way, which I have kept quiet until now. It doesn't have an official title as such, but the premise is simple: Every Thursday, The Fountain Inn at Rowlands Castle in Hampshire, UK, holds an open-mic jam night. This is a local-level, free-for-all get-together, hosted by ex-Van Morrison member Herbie Armstrong. It's a great showcase for local musical talent, and always full of interesting characters.

I have made it my mission to document proceedings over the course of the year, with a view to publishing a book somewhen around February-March 2011.

Feedback so far has been really positive, with many kind words which spur me on to produce more great imagery of the individuals who stand in front of my lens! And, thanks to a few sneaky glimpses of my camera screen along the way, it looks like there are already a bunch of regulars interested in getting their hands on a copy of the book. Great stuff - I can't wait to see the end product!

To find out more about the Thursday Jam Nights, you can contact me via any of the usual channels or get in touch with the event's co-ordinator, Keith, through the dedicated Facebook page (be sure to tell him where you heard about the event!).

I'm not there every Thursday, but if you do come along and see me, um, 'working,' don't be a stranger. It's a very relaxed state of affairs, and so is my shooting style (not, I hasten to add, due to over-zealous consumption of local ale!). Make yourself known, have a chat and enjoy the tunes!

You never know - you just might make it into the book!

As an aside - a quick shout-out to Lorraine Paintin for the use of the picture you see here. See, I do sometimes get caught out on the other side of the camera - sneaky, Lorraine!

Edit: For a progress update, hit this link!