Product Review: Aquapac Wet & Dry Backpack

You may remember my last review video, which looked at the Aquapac PDA case. On that occasion, I headed out the woodland in the pouring rain, to see just how well this protective case stood up to the elements when shielding my audio recorder.

Well, throughout last year - from around summer onwards - I also put another Aquapac item of kit through its paces. This time, it was the turn of the excellent Wet & Dry backpack - a technical, yet simple and versatile 25 litre bag.

Once again, I've put together something of a real-world review video for you - this time, filmed when we were lucky enough to have snow just before Christmas.

If you have any questions, feel free to ask them in the comment section below this post.





Key features worth noting:

• 25-litre capacity
  

• 100% waterproof and buoyant

• Quick-access key pocket

• 3-roll top closure with quick-release clips and toggles for extra security

• Removable back support

• Separate wet and dry sections

• Mesh bottle pockets

• Adjustable sternum strap

• Removable waist strap

• Breathable shoulder straps

• Lightweight - 640g/22.5oz

Product test: Aquapac PDA Case

With the launch of my brand new podcast just over a week away, my thoughts have turned to all things audio of late - not least of all the considerations I have to bear in mind when I'm out and about recording content.

A while back, I reviewed the Aquapac PDA case, which took the form of a video and write-up on the GBP:Blog. You may remember it. Well, that video and post has been so well received, and subsequently pushed around the social media world so much, that I thought I'd make mention of it one more time.

Look out for more of the same from me soon, as I am now working directly with Aquapac and a number of other companies offering a range of great products which make our lives that much nicer.

---

One of the latest additions to my kit bag is an audio recorder, which I've begun using to produce interviews, location reports, video commentary etc for the GBP Blog. And so far, I can't fault it ('initial impression' review coming up soon). That is, except for one thing.

This technology is all well and good, but there comes a time when it needs a little helping hand in more extreme environments. Put simply, the audio recorder doesn't like the rain. Suffice it to say this is an assumption and I don't wish to test the theory - but for piece of mind, I set out to find some decent protection for the thing.

Enter Aquapac, who produce all manner of dependable covers and cases. I have been aware of these guys for many years, and took the opportunity to catch up with them earlier in the year at the Ordnance Survey Outdoors Show. Jump forward a few months and they suggested the 100% waterproof PDA Case for my particular requirements.

Rather than waffle on here too much, I've put together the following short video so you can see and hear the test for yourself:




Several details are not mentioned in the video, as I wanted to keep it fairly brief, but for your reference:

• This case will float in water, and is submersible to 15ft (5 metres)
• It has an optically-clear rear panel, good enough to shoot photos/video through
• You can use your PDA stylus as normal right through the case
• A stylus holder is built-in
• The product model reference/number is Small PDA Classic (344)
• You can also check out more more from Aquapac on their Facebook page
  

If you have any thoughts or comments, feel free to jot them in the comments section.

Festivities, fun and fireworks

Well, it only seems like about a year ago (give or take a few days) since I last wrote about the 'C' word. Yup, that's right - Christmas is just around the corner once again!

Am I more prepared this year? Um... well, I'd have to go with an optimistic "It's too early to say right now." Certainly there are a few things which have been discussed and which have got my brain moving in the right direction. One major achievement, though, is that I have a date set in the diary for getting the decorations out and put up. Hey, it's progress!

On a larger, more public scale, you would expect commercial organisations to be in full flow on this front. And from what I can see on a local level, they are. Christmas lights, street entertainers, hot chestnut vendors, kiddies meeting Santa's reindeer... all these things were set up and ready to be captured through my lens on a recent shoot for one of the local city councils.

In terms of photography, this was pretty typical stuff for me - but as regular readers know, I love getting involved with events as they present so much subject matter to indulge in! Doesn't matter what the theme is - everything from local themed Birthday parties to internationally-recognised multiple-day events.

Thankfully, I was given a pretty loose brief on this day, with only two main technical considerations. One was to keep an eye on timings, as various highlights were happening in specific places at specific times (such as a choir singing and the turning-on of Christmas lights).

Secondly, I had to be aware of the inclusion of young children (sub-18yrs) in my pictures. Such is our current climate of fear/paranoia/mistrust that I will typically make a point of introducing myself to any kids' parents, explain why I am photographing, and for whom, and then request permission to take photographs.

On this latter point, a standard official minor-/model release form often needs to be completed; something of an inconvenience at times, but at least it does offer some reassurance to all those involved about one's legitimacy and professionalism. In simple terms, it is an official 'permission slip', and is standard practice in our industry. It's sad to have to take these steps, but an unfortunate necessity.

But back to the event...

All was going well up to about 4:45pm when, with light almost completely faded, the area was treated to a not-altogether-festive downpour of rain which, quite typically, decided to fall in biblical fashion just around the time that the firework display was set in motion, moments after the blessing of the Christmas tre and turning on of lights.

Having researched and arranged my shooting position earlier in the day, all plans quickly evaporated as I only had a 7-minute window and needed to get some - any - shots showing the display acting out behind the cathedral. In spite of the conditions, I managed to get the tripod set up just in time (to avoid camera shake during long exposures).

So relentless was the weather that I could not very well keep the lens free from rain as the camera was tilted skywards and (due to logistical reasons) I did not have an umbrella to hand. Without exaggeration, the water was literally flowing off my camera and yet the Nikon still performed (another fitting testament to the pro- versus amateur-build quality debate).

You can clearly see the water droplets recorded as out-of-focus highlights in the picture on the left here. Yes, I could have wiped the glass, but this would only have smeared the water around - and with so little time available, I would most likely have missed my chance to record a decent number of frames.

Now, admittedly these were not the greatest fireworks pictures I have ever produced (they wouldn't be, under such conditions) - but you know what, I kind of like happy accidents. Call it 'artistic license' if you like. Whatever. But at the end of the day, I am a creative who is brought onboard a project for that very reason - to put my angle on recording the subjects I am presented with.

All said and done, everyone seemed to be having a great time and were not put off by this soggy end to the day. The resulting imagery will now be used immediately and throughout the coming year (and beyond) for all manner of promotional purposes. Think in terms of websites, flyers, festivities brochures in the run-up to Christmas, annual reports etc and you won't be far wrong.

You know what? It almost feels like Christmas... :)

Product test: Aquapac PDA Case

One of the latest additions to my kit bag is an audio recorder, which I've begun using to produce interviews, location reports, video commentary etc for the GBP Blog. And so far, I can't fault it ('initial impression' review coming up soon). That is, except for one thing.

This technology is all well and good, but there comes a time when it needs a little helping hand in more extreme environments. Put simply, the audio recorder doesn't like the rain. Suffice it to say this is an assumption and I don't wish to test the theory - but for piece of mind, I set out to find some decent protection for the thing.

Enter Aquapac, who produce all manner of dependable covers and cases. I have been aware of these guys for many years, and took the opportunity to catch up with them earlier in the year at the Ordnance Survey Outdoors Show. Jump forward a few months and they suggested the 100% waterproof PDA Case for my particular requirements.

Rather than waffle on here too much, I've put together the following short video so you can see and hear the test for yourself:



Several details are not mentioned in the video, as I wanted to keep it fairly brief, but for your reference:

• This case will float in water, and is submersible to 15ft (5 metres)
• It has an optically-clear rear panel, good enough to shoot photos/video through
• You can use your PDA stylus as normal right through the case
• A stylus holder is built-in
• The product model reference/number is Small PDA Classic (344)
• You can also check out more more from Aquapac on their Facebook page
  

If you have any thoughts or comments, feel free to jot them in the comments section.

Sun, wind, scenery, portraits

Last week, I undertook an assignment photographing a couple on their Wedding day. This came about as the result of a referral passed by one of our corporate clients some months ago, and just goes to prove the value of networking and the power of recommending trusted suppliers.

This was not a 'Wedding photography' job, per se, as the couple were having a very low-key ceremony and did not require our coverage at the West Sussex registry office where they 'tied the knot'. Instead, they asked us to meet them at a rather grand five-star hotel about an hour and a half away, up in the glorious Bedfordshire countryside, where we would simply concentrate on some nice relaxed portraits within the picturesque grounds.

One thing which I did take from the 'Wedding photography' check-list was the need to have a look at those grounds ahead of our meeting. We always insist on conducting a recce with every couple we photograph, taking in all locations where photography is required (for example, the Bride's preparation address, church, Reception location etc). Typically, this occurs about one month before the Wedding day, and let's us make an initial connection and look for possible areas for photography, as well as taking stock of potential issues and considerations such as the need for a contingency plan, should the weather be less than favourable.

On this occasion, though, logistics dictated that it was not feasible to make two trips and so I simply arrived about an hour ahead of time, in order to have a wander around and see what photographic opportunities awaited us. What greeted me was something of a photographer's playground - rock gardens, freshly-mown lawns, stone statues and gardens created by the famous landscape designer Capability Brown. All good stuff, and I couldn't wait to make some images!

There were two main obstacles that we faced here: One was the strong overhead sunlight - lovely to walk around in, but less than ideal for portraits, as it casts heavy shadows at every opportunity and people have a tendency to blink! No worries, though; I simply 'filled-in' these darker areas with some complimentary subtle flash light, and took the couple into shaded areas where suitable. The second concern was the wind - it was a very breezy day; but again, we made use of natural shelter where possible and exploited those moments of facing oncoming headwinds so as to inject a little humour into the images. Hey, you have to make the most of what you're given!

Following that day, the pictures were placed in a secure, password-protected album on our website, allowing the couple to take advantage of the Slideshow function and share them with friends and family.

A printed Preview Album is also on its way to them, together with suggestions of how best to display these pictures. And our services do not simply end at 'pressing the button' - as I have often said, pictures are there to be looked at; because we want our clients to get the most out of images, we will happily discuss the wide range of presentation options available to suit all tastes and budgets.

It's a team effort

As I have said many times here on the GBP Blog, the clients we work with aren't always of the 'shirt and tie' variety. One of the greatest joys of what we do is the range of assignments we undertake. For example, one day I could be on the beach shooting informal portraits, the next I might be thirty metres up in the sky perched on a crane and swaying in the breeze. As I said in yesterday's post, indoor work is all well and good, but give us half a chance to get out of the office and into the fresh air with our clients and we'll take it.

Another quick example from last month, then, which saw me working with a local football club one Sunday morning. Nothing too challenging or remarkable about the job itself, but a prime example of the need for simple yet effective pictures which could be used widely in all manner of marketing activities.

We were very lucky with the weather on this occasion - blue sky, puffy white clouds - all of which worked very well with the team's freshly-washed, colourful kit. In terms of a 'shot list', we had already outlined three sets of images to capture during our time together - team shots (as a whole), player profiles (individuals) and supportive imagery (game action). As is often the case, organisation was the key here; I turned up early in order to meet my contact and make introductions with the team, and the players themselves were already in place, warming up. It was then simply a case of getting everyone into position for the first 'group' shot, followed by individual portraits in quick succession.

Given that all anyone there really wanted to do was play football (i.e. not stand around being photographed!), I kept things very simple. Setting up two cameras - one for the portrait stuff, the other for the action - the D2H was again brought out of the bag for the latter, making the most of its ability to capture the fast-paced action. On this occasion, I seem to recall, it was set to a rate of 4 frames per second and I shot in bursts of 2 frames in succession.

The resulting images from the hour or so that I spent on the sidelines have since been used on the team's website and in the local press, with plans to use them further in newsletters and printed promotional matter.

OS Outdoors Show 2009

Yesterday saw another of my yearly trips up to the NEC, this time to visit the Ordnance Survey Outdoors Show. My reasons for going are two-fold: on the one hand, I am very keen on all things to do with the great outdoors and on the other, the show gives me a great opportunity to network and to catch up with people within such related industries. This year's event was slightly smaller, given that it only occupied one exhibition hall rather than two, as in previous years. That said, there was a steady flow of cash-ready visitors (what recession?!), but not so many that I couldn't have uninterrupted conversations with the people I was there to see.

So what does this have to do with the GBP Blog, and specifically the world of photography?

Well, as regular readers will know, I don't just write about photo-related matters. Rather, I like to share my thoughts about a wide range of issues, including anything which I feel might be of interest to fellow phtographers, business owners and the 'general public' readership.

I am pleased to say that, thanks to the co-operation of a number of exhibiting companies, I have arranged to produce a string of product and service reviews which I hope will be of interest to you. We will be looking at all sorts of things - everything from waterproof cases for your mobile/iphone/GPS, to luggage for your valuable camera equipment, online networking websites to accessories which will make your day-to-day activities just that little bit more comfortable.

To make sure you don't miss any of these features, you can get updates just as soon as the blog posts go live; either subscribe to the GBP Blog using one of the methods on the right here (via email is arguably the easiest and most popular way) or if you have a Twitter account, you can hook up here.

Oh, and if you have a product or service which you think would be of interest to our readers, please feel free to drop me a line and we'll see what we can do!

In spite of the rain...

Whilst up in Manchester, Manda and I decided to take a trip out into the countryside of Bowland - a lovely area of rivers, sheep and rolling hills crossing rural Lancashire and North Yorkshire in the North West of England. I'm sure there's probably more to the place than that, but these were just my initial observations!

Having been treated in Blackpool, the day before, to a relatively mild afternoon with dry weather and a fantastic sunset, we were all fired up to have another day out walking around and taking pictures 'just because we can'. As I said in a previous post, creating more personal work is very much on my 'to do regularly' list this year.

In theory then, the idea of another day out was a good one... Seeing that the light was pretty good and conditions were almost rain-free, we packed the car with everything we'd need to create simple lighting on location - 2 flash guns (Nikon SB-800s), 2 lightweight stands and a set of Pocket Wizard remotes (for reliable wireless flash triggering). Between us, we were using both Nikon and Canon camera/lens kit. Oh, and just for a bit of comfort, a flask of coffee came along too (pity we forgot the milk!).

I say the idea was a good one 'in theory', because nature had other plans for us.

With every mile we drove, the wet stuff got worse. Specks of rain turned into a fine drizzle, before passing through a state of what can at best be described as 'lazy droplets', before threatening to become a downpour. Add to this the increasing cold and we were getting further and further away from what would be considered 'favorable' conditions.

But of course, in true British spirit (that is to say a stubborn and determined fashion), we refused to be beaten by this. I always carry a bunch of clear freezer and zip-lock bags with me, to keep all the electronic stuff dry in such scenarios - and thankfully, as ever, this simple, cost-effective solution proved perfect for the job.

Modern pro kit is pretty resilient these days - it has to be - but even so, it makes sense to give it a helping hand from time to time.

We managed to get a good few pictures in the can between us before the decision was made to head off to a different location further up the road. In the event, the weather really set in and so 'Plan B' came into force - head for the nearest pub on the way back and have a late lunch before settling down to a warm evening and review our day's efforts.

All in all, we had a great time in Bowland. And despite the weather, the experience only served to fuel what drives us as photographers, and what it's all about - a passion for photography, and a desire to make images. Pure and simple. And with the thought of long summer evenings on the not-so-distant horizon, we can't wait to get out and about and do more of the same!

Just a bit of fun

I like to have a laugh. After all, it can't always be work, work, work. Sometimes you just have to find an escape and let your hair down. For me, this relief often comes in the form of visiting a little web site by the name of World Of Poot. Don't ask. It's just a bit of fun - check it out if, like me, you have a twisted sense of humour, and all will become clear. Disclaimer: I have always maintained that it is my insanity that keeps me sane - and, no, it is not me in the pictures!

Anyway, the point is that over the New Year break, the WOP team went out and about to do a spot of filming locally. Naturally, this gave cause for supporting still images for this non-factual spoof documentary. And as far as I was concerned, it also provided a chance to give the new 50mm Nikkor another airing. Lovely standard lens, and perfectly suited to quick, no-frills portraiture. I also brought out the ultra-wideangle for some more dynamic perspective - another nice option for this kind of stuff, so long as you are aware of the limits of its perspective distortion at closer distances.

As for lighting, the rather flat ambient of the late-afternoon overcast day was just perfect for balancing with portable flash. Given that the images were shot at an old abandoned folly, and the underlying story had a theme of history and the past, we wanted to inject a bit of atmosphere. Playing with light (albeit very simply) is the perfect way to do this.

Additional lighting, then, was supplied by a single Nikon SB-800 speedlight, triggered remotely using CLS - Nikon's Creative Lighting System, and fired bare-bulb style (i.e. no modification such as diffusers, brollies etc). This was mounted on a small tripod for easy positioning.

These are by no means technical images, nor do I claim them to be. It was all just a bit of fun. However, the techniques used for the shots here can be applied to many different assignments in order to add interest, highlight certain image elements or to create separation from surroundings.

Oh, and for quick reference, the direct link to the mini-film is this one right here. Enjoy!

A weekend of speed

Well, it's been a hectic few weeks, travelling hundreds of miles and shooting thousands of images (hence the recent lack of activity on the GBP Blog). Just as soon as I get a chance, I'll be writing about a number of my recent assignments - so watch this space. But for now...

Ah, technology; how we love it. Thanks to digital capture and instant internet connection on location, I am able to publish this post direct from the Press Office at the Goodwood Festival Of Speed. This is an event that I cover every year, and it just gets bigger, busier and better - attracting car enthusiasts from around the world, who decend on the Goodwood estate to witness some of the world's fastest and finest vehicles on two and four wheels.

My primary job this weekend has been to shoot images for immediate use on Goodwood's website - specifically the Events News 'Live' pages - so that people can keep up-to-date with all the action as it happens. Working in conjunction with a motorsport journalist, I have covered the whole event - from action on the track to concept car displays, kids' activities to celebrities. The resulting pictures will also remain on the site after the event has finally finished, as well as being placed online for access by certain areas of the media.

Long days, challenges and frustrations along the way, certainly - but ultimately great fun. And I love the fact that the imagery I shoot is in the camera one minute then live for the world to see the next.

Looking ahead... Bring on September for the Goodwood Revival!

Inspiration all around

How and why are we inspired to do what we do? Do we set out specifically with an end goal in mind and a series of resources to methodically work through? Or do we place ourselves in a situation and faithfully wait for inspiration to come to us?

Sometimes the answer appears out of the 3am darkness of a Friday night, thanks to RSS feeds. Other times, an idle stumble on the internet can set in motion a series of ideas. It can even be a chance meeting in the street which is enough to trigger the imagination. For me personally, nature is a great grounding zone. It helps me work over ideas without stop-starting for the telephone, email, internet... basically, without interruption from technology. It is where you will often find me jotting down thoughts for these blogs or our newsletter. Free from so many constraints and distractions, this is where I go to think.

Everyone has their own methods. I know people who deliberately have a few beers before settling down to work of an evening, because they feel this opens up their thought processes. Maybe this helps them think more laterally, I don't know. Interaction on forums is also a great way to share ideas; for example, I often post on Strobist, which has an active community and is a great place to discuss creative lighting.

I am always thinking. I cannot simply sit still on the sofa and watch the television - my mind is far too active for that. Even on those occasions when I am technically concentrating on a tv show, chances are it's a documentary from which I am hoping to gain some kind of information which I can incorporate into personal projects or creative commissions. You will also find a magazine or notebook not too far from my side - god forbid an idea should get away!

Whether you are looking for inspiration on a personal or a professional level - look around you... at your location, friends, colleagues, relatives. It can often be such a simple thing that gives you that initial spark. And if you see something you like, don't be afraid to draw on it. I recently came across these thoughts on the blog of Chase Jarvis - a US photographer whose work I admire and who, as far as I can see, has got the right idea. Be sure to have a look at that link - and you might also want to check out his follow-up post, too.

Of course, professionally-speaking, it is important to stay up to speed with what's going on, but never forget what led you to where you are. Especially where technology is involved, I think it is always good to reflect on history and tradition. Even now, I love looking through books of photographs taken by the great pioneering photographers such as Julia Margaret Cameron and the members of Magnum Photo. There is such a lovely quality to the images produced by these people and you really get a sense of what photography should be about - the 'being there', the observation, the reaction and interaction, the simplicity and effectiveness of light.

At the end of the day, inspiration is everywhere - you just have to tune in to find it. And keep an open mind. In the same way that there is often 'never a stupid question', there is also never a resource that cannot generate productivity, no matter how random or irrelevant it may seem.

Snow... in April?!

Working on location in a local city at the end of this week, it was with a certain "yeah, right!" scepticism that a collegue and I considered the forthcoming weekend's weather forecast. The 'experts' promised us snow - this, as we stood in perfect sunshine, interrupted only by the occasional rain shower. After all, it is now April, and we are just starting to properly see the first glimpses of Spring in the surrounding vegetation.

So much for being a smarty pants then as, would you believe it, they were right all along and we did actually have it - and not just a cursory fluttering either. No, what greeted the waking public this morning was 2 inches of pure white snow which fell in the space of about an hour, early morning (so I'm told - I was still warmly wrapped up in bed at the time!).

The moment I saw this, I was like a little kid on Christmas morning. Filled with sudden excitement, my first thoughts were immediately to go for a walk to shoot some stock pictures. Ok, admittedly I have a vested interest as I love the outdoors anyway, and would jump on any chance to get out and about. But that's not the point. You see, it is such a rarity for us to get snow like this around here these days, that I was keen to fill some gaps in the archive. All things considered, then, how could I possibly resist?

So, off I went to one of my favourite haunts - the local woodland. This is the same area that, only 2 weeks ago, I conducted some lighting tests, as described in this post. What a difference the weather makes! I have walked in and around that area so many times that I now know where various paths lead and what photographic opportunities can be found in certain places - but with a covering of snow, I may as well have been in a different country. Without exaggeration, it was like walking into a winter wonderland (only... um... in April).

This kind of weather does something to the senses, I think, and it is quite beautiful. Have you ever noticed just how calm and still everything appears when it is snowing, or immediately after a snow fall? I'm sure there must be a scientific explanation for this, but that's for another day - and besides, it's always just nice to hear that wonderful sound of snow gently crunching under foot, isn't it?

With many of the usual land marks taken out of the equation, one is left to pick out the finer details. As photographers, much like trackers, we must assess the scene and make adjustments accordingly. Not just with regard to exposure, but also to the composition and what actually appears in the frame.

It's a bit like pointing your camera out to sea on a dull day and expecting to capture a glorious silhouette of a ship. It's just not going to happen. Similarly with a snow scene, we are presented with a plain canvas containing very little detail and it is up to us to seek out the good stuff. With practise, this is not such a daunting prospect.

And even if it was... we do like a challenge!

When nature and technology meet

If you went down to my local woodland this last weekend, you would have seen me putting some equipment through its paces in this outdoor environment - specifically, I was playing around with wireless lighting. As many will know, I am a big fan of the countryside and when I get to combine this with photography and call it 'work', then all the better!

It's often nice to travel light, taking the minimum amount of equipment to a shoot, and modern technology really supports this approach. The picture above (view larger) was shot with a very simple set-up - one camera and two portable flash guns.

Thanks to nature lending a hand, only one lighting stand was required as I used what's known as a Super Clamp to attach the second flash unit to a branch. These things really are so versatile and I always keep them in my portable lighting kit; they will attach to virtually any surface, so long as there is some form of lip jutting out or an object which they can wrap around.

This kind of 2-light arrangement is a great way to add depth to pictures, and is ideal for profile and feature portraits in all manner of areas from corporate websites through to magazine features. And because there are no wires involved, there is much more freedom and versatility to be had in any given space. In fact, we are now able to remotely trigger our lights and cameras at ranges up to 1600 feet!

My somewhat basic diagram here should give you an idea of the setup as seen from above. As you can see, Flash 1 is the main light source (combined with the natural light) and Flash 2 creates a nice rim-light down the subject's left side (as viewed), which helps to distinguish him from the surroundings.

Using a complimentary or meaningful background adds colour and interest to pictures, at the same time holding the viewer's attention longer than if a dull backdrop or flat lighting were used. The whole idea of creating photographs is most often to show the subject in an exciting, compelling or distinct way - no matter whether it is a member of the family, your latest whizz-bang product or even a day-to-day object that you wouldn't ordinarily give a second glance to.

Photography - and photo shoots - should be fun. And by keeping on our toes with such matters as new technology and lighting techniques, we can ensure this is the case.

All at sea

I am tired this evening - and understandably so, I think. Why? Well, it may have something to do with the 5:45am start, the 7am meeting or the 10am shoot. But most likely it is due to all of these, combined with the shoot that then followed at 12pm.

You see, this second job was on the water - and as we all know, spending any amount of time down by the sea can leave you somewhat worn out by the end of the day! I cannot reveal the details surrounding this assignment, I'm afraid, as it is part of a new project due to be launched in the coming months - but rest assured it is all very exciting stuff, and I will be explaining more when the time comes.

The weather was not completely ideal, but at least we were done before the clouds really set in and the spots of rain began to fall. The pictures you see here (view larger) are just three examples of those taken within a matter of a few hours - and with typical GBP flexibility.

In total, we shot somewhere in the region of 500 pictures, giving a wide visual selection across the subject matter - including everything from the smaller details right the way up to wide all-encompassing vistas.