FOS '09 - Day 2

Well, the second day of Goodwood's Festival Of Speed 2009 has drawn to a close under a blue sky and puffy white clouds. It hasn't been like that all day, but at least the only rain we had lasted all of 2 minutes - so I mustn't grumble!

So then... Today's imagery was not so much weighted towards the main track action, instead taking in the wider variety of sights and the people enjoying them.

After a brief visit, first thing to, to the Supercar line-up, I headed to the Dunlop area in order to get a few people pictures. With lots of display panels and notable vehicles running on Dunlop tyres, there was plenty of scope to shoot some candid (unposed) pictures - both of the public and of guest speakers. At the time I arrived, racing car driver Richard Attwood was being interviewed, and I ran off a series of pictures looking down from the back of the 'audience' stand, just as the brief rain shower began.

Very often, part of my brief involves interacting directly with people, posing them and arranging them strategically. However, it is always my preference to follow the 'natural' route where possible, as the expressions and true personality almost always come across better when the subject is unaware that they are beingphotographed . It is for this reason that the same approach (albeit under very different conditions) is used when we deal with with teams, staff and corporate groups.

On the walk away from Dunlop, one passes through the Cartier Style et Luxe area, which this year displays some fine examples of both vintage and modern machines from the likes of Bugatti, Alfa Romeo and Maserati. With the rain still clearly visible on the bodywork, I took the chance to go in close to capture some detail shots which are simple in their arrangement, but great as 'filler' images. Plenty of scope here, also, for images depicting people viewing the cars, looking through windows and under bonnets. Oh, and we mustn't forget the jazz musicians who were creating a great backing track to a lively atmosphere on the lawn.

Next it was another brief visit to the Hill action, and a great vantage point looking directly down the track, to capture modern-day Formula 1 cars racing away from the start line. Amazing machines and challenge enough to capture on camera! As were theEurofighter Typhoon planes flying overhead just moments before.

A brief lunch was taken before heading to one of my favourite areas of the whole event - the rally stage, set in woodland at the very top of the site. So good is this area that it could actually pass as a real setting for a race. The cars on show - spanning a number of decades up to the current day - looked fantastic as they were thrown round the chalk roads. I positioned myself on one outer bend, protected by hay multiple bale barriers, and mixed up the shots to include both long-lens and wide-angle views of the action. Great stuff.

By this time, my shooting duties were drawing to a close, and I had just enough time to photograph a number of displays on my way back to the Press Office and before the process of preparing the images in line with yesterday'sarrangements.

Not sure what the weather will be doing tomorrow, but either way it should be another great day of diverse photographic opportunities.

Today's action on the Goodwood website here.

More to come.

FOS '09 - Day 1

Once again, I am under commission from Goodwood in West Sussex, covering this year's Festival Of Speed event. And as in previous years, I am shooting imagery for direct use the Festival Of Speed website.

With day one wrapped, it's time for a little reflection on just what I have been photographing today...

Friday is always the quietest day of the FOS weekend, with slightly fewer people - but no less of the action. Things kicked off bright and early, with a light drizzle that cleared up within 30 minutes of being on-site, just in time for the Supercars to make their way up 'The Hill'.

Name a sports car brand and chances are it's appearing at the event - from Mercedes to Ferrari, Lotus to Bugatti. My brief was fairly loose, insofar as there were not specific cars that I had to capture; rather, it was a case of getting a selection of images which would fit in nicely with the copy written by my journalist colleague.

Next up was more of the same, covering everything from pre-war cars to motor cycles, modern-day Formula 1 cars to sports prototypes.

That took me up to around lunch time - and a chance to get out of the sunshine for a few minutes.

One highlight just before though - a special appearance was put in by Peter Fonda on the original 'chopper' featured in the film Easy Rider - with the man parading past the crowd to at backing track of 'Born To Be Wild'.

At 3:30pm, my attentions were turned skyward in anticipation of the Red Arrows air display team. Always stunning in the sheer speed and agility that they show, these guys once again stunned the crowd with against a backdrop of coloured smoke and blue sky.

The latter part of the afternoon was a matter of capturing general imagery, showing off the attractions and atmosphere all around, before liasing with another colleague in order to back up all pictures and confirm a selection of imagery for inclusion on the 'live' web pages.

All in all, a good day and very happy to have the sun shining! These awesome machines always look better with a brightness that brings out their colours, shapes and performance body work.

More to come tomorrow.

Always carry a camera?

They say that you should always carry a camera with you, just in case a great picture presents itself out of the blue. For this reason, the G9 is my constant companion.

A couple of weekends ago, Manda and I decided to take some time out and go for cycle ride. And, wanting to get away from things, it we chose to head just a little way up the road and hit one of the nearest woodland-surrounded off-road trails. Because the main objective was simply to get out and about, we travelled light - just a pump and tyre repair kit, some water and a mobile phone (myBlackBerry ) - 'just in case'. It was this last item (complete with built-in camera) which proved to be the defining factor in our afternoon's events.

After about 15 minutes of incident-free cycling, we rounded a bend in the trail - only to be greeted by a 'crackling' sound and plumes of smoke coming from a number of hedgerows. After questioning whether these might be controlled burnings, I decided to make a call to the local fire brigade just in case. Turns out these were purely of a boredom-driven, needless nature and there were also other fires on the go further along the way. Aren't people charming?!

What amazed me was that it too 3 fire engines, 1 fire Land Rover and 10 fire fighters to extinguish the flames! Still, I'm no expert in these matters, so I'm sure it was all quite justified. At least the fires got put out - which is the main thing after all!

I had initially been quite happy just to stand by and watch whilst waiting for the firemen, but the photojournalist in me took over, and I ended up capturing a good few frames on the Blackberry.

Nothing special, and with no post production, these pictures merely serve as a record of the events of that afternoon. Upon my return, I made a quick call to the local newspaper and emailed the photographs (all of which appear here) across for publication, simply as 'local interest' news images.

The moral of the story, so they say...? Always carry a camera - in whichever shape or form - because you never know what opportunities lie ahead, just waiting to be pictured.

Funny... but oh so true

I was reminded of this short video in the past week, having seen it some time ago. Yes, it does make you smile, but for anyone running a business in these 'interesting' economic times, the sentiments will surely stike a chord!

You know the 6 Ps make sense

According to one variation of the old 'Six P' adage, "Proper Planning Prevents Piss Poor Performance". One job, a few days ago, was a case in point - and stands as a lesson in both the positive and negative outcomes of heeding this advice... or not.

OK, so I had an assignment up in London, for which I was given about 4 days' notice. Nothing unusual there - people often leave it far later than that, and I am more than happy to fit them in if I have the availability. With a number of calls/emails/texts exchanged, everything was confirmed and I knew I had to be on site for a 9am start. Which meant skipping a networking meeting but still being up at a considerably-less-than-favourable hour.

Lesson 1: If an event/meeting/job has taken considerable effort to come to fruition, don't waste everybody's hard work by messing up on the travel arrangements. I always allow plenty of time for my journeys and on this occasion it was just as well; due to tube strikes (and therefore more people choosing to drive into work) on that day, what should have been a 1.5-hour drive actually took an additional 45 minutes. I arrived at 8:45, so no panic and no worries.

Once in the building, I had a short wait for my contact to arrive, before being led back outside to do some exterior shots. After that, it was back inside to set up and do a few general shots at the first location whilst we waited for our (non-professional) models to turn up. Give them their due, they all arrived dead on time, at 10am. However...

Lesson 2: Please, please, please - if you are wanting your staff/colleagues/students/associates/friends/neighbours to stand in as subjects for your pictures... ASK THEM BEFORE THE SHOOT! Long story cut short, there were around 8 people expected to assume the role, and not one of them would agree to being photographed. In fact, so I gather (it was decided that the client would 'negotiate'), some of them were demanding payment for their 'modelling services' and were even less willing when the reply was a resounding 'no'!

Having wasted valuable time waiting for a decision, we eventually got around this considerable oversight by having a number of staff change out of their uniforms and into their everyday clothes. Not ideal, but this was the only option short of coming back to finish off the shoot another day.

Of course, the general public observing the resulting pictures will be none-the-wiser. But that's not the point. The fact remains that the whole shoot was jeopardised by the actions of one or two people, very nearly wasting both my time and theirs. Whilst I appreciate these things can and do happen, in these tough economic times, I would encourage everybody to ensure they have everything in place ahead of the agreed day/time; not just with regard to photography shoots, but in the general day-to-day running of their operations.

Failing to do so just might cost you considerably more than your time.

What's your go-to?

This post is a non-technical 'one-year-on' review of sorts, and is essentially a follow-up to this post.

Our colleagues over in America have a phrase they use to describe any technique or item of kit which is the mainstay of their work; something which is used time and time again - dependable, reliable, guaranteed to get the results they require. The phrase? 'Go-to'.

For all the high-tech 'bells-and-whistles' kit we use on a regular basis here at GBP, I would have to say that my go-to item has come to be the trusty Canon Powershot G9 point-and-shoot camera.

Having used it regularly for just over a year now, I can honestly say it truly is an indispensable tool on a great many assignments. Whether to capture behind-the-scenes snaps and reference shots at a recce, or to film events in real time, this little machine has come up trumps more times than I can remember. Quiet, subtle, unobtrusive - it is small enough to slip easily into a jacket pocket, yet powerful enough to deliver. Clearly a rugged shell of a body, it has done remarkably well in all conditions from rain-soaked moorland to sun-baked car forecourts; even when it suffered a 4-foot drop onto the pavement recently, all that was required was a simple lens realignment - surely testament to its build quality.

The 12.1 megapixels offered is more than enough for our requirements (you already know my thoughts about the issue of resolution). The resulting images have frequently matched the quality produced by the Nikon SLR cameras - to the point where the G9 always accompanies me as a back-up camera, just in case all the SLRs should pack up mid-shoot. With so much manual override available, including two user-defined Custom settings, this camera has proven itself to be just as versatile as the big boys.

When it comes to video, the 640x480 'standard' video quality setting is more than adequate for use here on the GBP Blog; and the time-lapse function (user-defined between capturing one frame every one or two seconds) produces highly effective results. Time-lapse is a great way to capture the events of a shoot from set-up to completion and thanks to silent operation, clients are more comfortable with the G9 in the corner of the room than a regular video camera; they even comment that they'd forgotten it was even there.

My only real gripe concerns ISO/noise levels - specifically, that when you set the G9 to ISO 400 or above, the 'grain' within images is often clearly visible, whereas it is not at the lower sensitivities. This, of course, is not such an issue most of the time, as I very rarely go above 200. And what's more, for web use (for example behind-the-scenes stuff), one can often get away with a slightly lower quality image if the output is, say 400x300 pixels.

Of course, as is so often the case with manufacturers these days, Canon has superceded this model with the Powershot G10 which, as you can imagine has 'a better this, a faster that' and so on. Before you ask - no, I'm not going to rush out and buy one; it's predecessor is still more than capable of doing everything I could ask from it, and I therefore have no need to change it.

Would I recommend this camera? Definitely. And with it now being 'the old model', you just might find yourself a bargain online.

Thoughts, comments, questions gladly welcomed as ever.

Radio appearance - Picture your business

On Monday, I posted this notice ahead of an appearance on Louise Barnes-Johnston's radio show. Well, we had a great chat for half an hour or so and, as promised, I'm now posting the link for those who didn't get the chance to listen in.





For quick reference, here is a run-down of the main topics we covered:

• The early days of GBP, how it all began.
  
• Starting out - the importance of seeking advice.
  
• How to gain new clients with little or no marketing budget.
• Networking - the valuable key to building connections.
• The diversity of work undertaken for our wide range of clients.
• Advice to business owners who are nervous about the current economic climate.
• Top 3 tips for businesses considering using a professional photographer to spruce up their business image.

As ever, please feel free to drop me a few lines of feedback - questions, what you thought etc - either via email or in the comments section below this post. Enjoy!