Another late night, sleep deprivation and a long drive

The end of February was a hectic time - with all manner of, shall we say, 'challenges' to overcome before heading upcountry for various commitments, including Focus On Imaging. Not least of these 'challenges' was my ongoing love/hate relationship (currently mostly hate, it has to be said) with PC computers; they were giving grief right up until an hour or so before I jumped in the car.

All appeared to be well upon departure but, would you believe it, I find out the laptop is still unwilling to co-operate, despite a full clean-out, and hence this post comes to you thanks to Manda's MacBook. So that'll be another tick in the 'switch-to-Mac' box, then.

On the Saturday night of the weekend I was due to head northwards, I was commissioned to document events as they unfolded at a private 30th Birthday party. A nice job (as you know, I particularly love event photography) and thankfully very local, as timings ran from 6:30pm to 10:30pm. It was the usual sort of thing - guests smiling and chatting and generally having a good time. Add to this the 'overview' room pictures and 'detail' shots which gel the series of pictures together (bowls of sweets, chocolate fountain, goodie-bags etc), and I came away with a nice set of images which told the story of the evening.

Once back at base, there was just enough time for a quick bite to eat before heading straight to the office to begin the process of editing and uploading all images to the GBP website via our Client Area. Whilst the latter was being completed under its own automated steam, I took care of the client's labelled DVD and all corresponding paperwork, ready for posting at a more reasonable hour.

All said and done, with other matters also taken care of, my head finally hit the pillow just as the birds began their morning sing-song. Now, late nights are not unusual for me, but one has to question the sensibility of driving four and a half hours on just three hours sleep! Ah well... all part of the service, as they say!

As part of the 'package', we also prepared in advance a set of 'event slips', each slip containing the online album access details. Every goodie-bag contained one of these, and once logged in, visitors would then be able to view and order photographic prints in various sizes and finishes (eg gloss or matte) directly through the website.

Incidentally, one day a couple of weeks ago saw a shoot in conjunction once again with Matt; typical marketing material sort of stuff, created using all the benefits of our wireless technology. A video of that day will be following in due course, but I've not even had the chance to look at the raw video footage we shot yet.

Pictures Are There To Be Looked At

I have just returned from a string of meetings this morning, in which I was talking to clients about how best to display the photographs we produce for them. I say 'talking to' - it was actually more a case of educating them. And here's why.

People love photographs. Fact. Whether it's snaps of friends at the local pub or a corporate team-building day, we love to share stories and memories of the events which occur in our lives. Trouble is, a lot of people don't know how best to enjoy these pictures, and simply throw them in a drawer or onto a bookshelf in the corner of a room, never to see the light of day for years to come. And the worst offenders? [Shudders to think] Direct transfer from camera to hard drive - and we all know what can happen there. Shame on you!

So what options do you have? Prints - sure. Canvas artwork - yup. T-shirts - if you really want. But then... that's it, isn't it? NO! There are so many different ways to present your pictures, many of which people don't know about. Apart from the above, you could consider traditional albums, super-modern picture books, despoke frames, acrylics, aluminium and block-mounted displays, promo transfer sets, multi-item themed gift packs... you get the idea.

But just a second. A word of caution, by way of an old adage - just because you can, doesn't mean you should. Not every display method is suitable for every kind of picture. Likewise, not every location is suitable for certain presentation options (e.g. canvas prints can look terrible in spaces which are too small for them). It's all about considering the options and deciding which will work best for you and your pictures.

Now, before you jump to conclusions, I should say that such considerations do not apply simply to 'private sector' clients (weddings, portraits, that sort of thing) - they are also relevant to business and corporate customers, too. Why? Because photography can and should be used to your advantage.

For example, say you have company premises with a 'typical' reception area. When new or returning clients come in, what are they greeted by (apart from your super-friendly receptionist, naturally)? Blank walls and a few scrappy print-outs plonked on a coffee table next to the water cooler? That's the sight that often greets me when arriving to do a shoot.

Wouldn't it be so much better to create a strong visual impact right from the outset, the moment visitors walk through the door? Maybe some stylish photo-art or team/product shots on the walls to build your profile. Or a smart-looking picture book album documenting your factory facilities or your pro-active operations in the field. Both of these would not only create a good first impression, but a positive lasting one, too.

So... please, please, please, don't just file your pictures away where nobody can see them. Be bold, be proud, and most of all enjoy them - because they are there to be looked at!

Fathers Day, Memories, What The Duck

OK, in my last post, I told you about an online cartoon strip called What The Duck. Well, given that today is Fathers Day, I thought I'd share the strip above (hmm... tedious link, I know, but the word 'Dad' is mentioned!). Anyway, take it for what it is, or feel free to read a little deeper...

Show of hands please, anyone who backs up their photographs. And I don't mean simply copying them from your camera to the computer - we're talking proper 'paranoia-driven, second-guess the future' multiple back-ups here.

It never ceases to amaze me how many people still genuinely believe that their computers will last forever. Never corrupting, never slowing to a grinding halt, these machines are clearly invincible. Apparently. Well, drop us an email and tell me where to sign!

As far as photographs are concerned, never forget - these are visual documents, often showing events which are one-off, unrepeatable times in our lives. They allow us to savour moments and preserve them for future generations. Remember photographic prints? You know, actual 'hard copy', 6"x4" bits of paper you could actually hold in your actual hands and look at without straining your eyes at a computer screen! Increasingly, people are not bothering to get prints made, instead entrusting these memories to a birds-nest of wires and circuitry all neatly packaged in an overheated metal box plugged into the wall.

Fact is, and though it pains me to have to tell you like this, computers can and do go wrong. Badly. And when they do... that's when those same people are suddenly consumed with a rush of blind panic, tears, cursing and, once things have calmed down a bit, regret at having not bothered to back up their pictures sooner. The same scenario holds true for business owners who, frankly, should know better.

Now I'm no computer whizz - far from it - but I do know what it feels like to lose important information from a computer. Which is why we perform multiple backups like our lives depend upon it (actually, in a professional sense, they do!). At the very least, you should be making copies onto CDs or DVDs - seriously, these things cost pennies nowadays (far, far, faaar less than the information they can contain) - and you'd be a fool not to go out to your local computer supply shop today and stock up.

By all means, wait for the 'Big Bang' in the corner of your office or spare room before you decide to take action, but just remember to take a deep breath when the repair guy tells you that he 'might' be able to save your data - and at great cost - but that you should probably prepare for the worst. "Well, of course, you have saved a copy of the important stuff, haven't you...?"

So, take heed of what I have to say. Or don't. At the very least have a look at the cartoon at the top of this post. But one thing I can tell you for sure, from bitter experience, is this: if your computer suddenly takes on the appearance of a pile of scrap metal and your precious pictures are only lodged somewhere in the unrecoverable rubble on the carpet, you'll be kicking yourself for not parting with those pennies.

Happy Birthday, Grandad!

Yesterday was a very special day for our family - my Grandad turned 97 (though you wouldn't have thought it to look at him!). So, naturally, out came the camera and lights to mark the occasion.

The backdrop for the pictures was the rear garden of his house - with a bit of privacy and so many happy memories there, it was the ideal setting.

Past experience has shown that taking a 'posed' picture of my Grandad is akin to photographing a young puppy - I find myself with a maximum of just a few short minutes before he decides it's time to move off to get on with other more 'exciting' activities (thankfully, I have also learnt not to take this reaction personally!). So, with this in mind, I set up the lights in advance, making full use once again of the wireless capabilities of the Nikon Speedlight system. For more examples of this system in use, see the content label list on the right; if you have any questions, please post them via the comments link below.

The diagram here shows the basic arrangement, viewed from above. As you can can see, the main light was fired through a translucent umbrella; I often use this approach as it provides a clean and flattering diffused illumination which softens the skin nicely.

Behind the subjects were placed 2 other (undiffused, SB-800) flash units - one either side, each at approximately 30 degrees, creating a nice rim light and giving clear separation from the background. This would have been accentuated even further had the subjects' clothing been darker.

For any keen photographers who are reading - yes, you're quite right, the the main light is in fact a Metz, not a Nikon. Simply put, the Nikons were set to fire off the Metz, thanks to the SU-4 hack. Want to know more? You should definitely check out this page over at Strobist, where David Hobby gives a great run-down of this excellent slave function.

But getting back to the point... and the whole reason we create pictures in the first place. Regardless of subject matter, every image is designed to be memorable, meaningful, impactful in some way. Of course this process is subjective to varying degrees - the photographer's beliefs, his/her stylistic preferences, even one's state of mind at the time of capturing the image - all can influence how the picture turns out. And every picture has a purpose, it's own story to tell.

On this occasion, I simply wanted to document the fact that my Grandad has reached such a great age. The caption would read nothing more than "Grandad in the garden on his 97th Birthday". In years to come, I will be able to look back on these photographs and remember the happy memories of that day and of the years that led up to it; the times we spent together in that place, the fun we had.

And therein lies photography's greatest strength - the ability to capture moments in time, no matter what content fills the frame. It is there to preserve those moments for the benefit of future generations. Technology is wonderful - but it is merely a tool which allows us to realise our visions.